Jade Wallace imagines what it would be like to interview Tanis Franco‘s poetry debut Quarry (University of Calgary Press 2019) in this experimental review. Asking questions in their own words and then borrowing and remixing lines from the book to craft ‘answers,’ Wallace literalizes what it means for a text to enter the literary conversation. ISBN 978-1-55238-981-2 | 80 pp | $17.99 CAD / USD #CAROUSELreviews Jade: Let’s begin with the human body. How would
Books are prophetic in Deirdre Danklin‘s fiction-form experimental review set in a psychic convention, but the books’ predictions reveal more about themselves than they do about their customer coming to have her fortune told. You don’t want to miss this strange little powerhouse review of 8 entire books. #CAROUSELreviews Remember conventions? Lily Dale is full of psychics. Held in an old Victorian mansion, this convention has no humming fluorescent lights, no inky brochures, no laminated
John Nyman follows the mine shafts of Klara du Plessis‘ book of poetry Hell Light Flesh (Palimpsest Press, Sep 2020) and reports back on the glistening subterranean horrors he finds there. This traditional review examines the unsettling juxtaposition of artistry and rationalism with the terrifying triad of patriarchy, violence and trauma. ISBN 978-1-989287521 | 130 pp | $18.95 CDN / $17.95 USD #CAROUSELreviews Enormous in scope yet sharply-defined in subject, Klara Du Plessis’ second full-length
VICTOR ROMÃO 3 Works 3 Works by Victor Romãoappeared in CAROUSEL 26 (2010) — buy it here
GREG LAMARCHE Shattered Shatteredappeared in CAROUSEL 26 (2010) — buy it here
JAIME FORSYTHE Lavender Pulse He was in a home, had soft bones, pausedfor days between thoughts, but knew whenevery one of us was born. All those phone calls,triple ring of a rural party line as the entire blockeavesdropped. Never knew privacy. Wallsthinned to curtains; his skin became transparent.Blow-ups of his organs; amplified tune of his heart.The nurse was a man. The nurse was his son, and hisgrandson, and his best friend from high school.The nurse
TIN CAN FOREST 3 Drawings 3 Drawings by Tin Can Forestappeared in CAROUSEL 26 (2010) — buy it here
JULIE CAMERON GRAY Widow Fantasies I want my husband to disappear, dissolvelike a spoonful of sugar in a cup of coffee. I want him to fall asleep at the wheelfor a distracted driver to make a mistakefor snow to conceal a slippery surface. I want it quick and painless and over in a flash.Twist of metal, bone, the shatteredwindshield a constellation across black ice.Traffic backed up for miles. I’d get a call in the night,
DAN SINEY Stump Skulls Stump Skullsappeared in CAROUSEL 25 (2010) — buy it here
New York-based downtempo producer Tor Lundvall balances his music production with a parallel career as a painter of cloudy autumn days & ghostly landscapes Interview conducted May, 2009 Sound is primarily for the ears; painting is primarily for the eyes. In your creative life, how are the two mediums interconnected and where do they overlap?For me, the line is most definitely blurred as to where the two pursuits overlap and blend; there’s such a strong bond
LIISA LADOUCEUR Warren Ellis’ Violin Because poets are like shoesbest when foreignand in translationall of ache is lost.Because sad songscan only say so muchin four minutes twentyand life is too messyfor such pretty mouths.Because words can be warpedby lips, fits, lispsand voices drowned outin dark rivers and bars. Play onyour ocean songs.Fingers singingbows for knivespiercing the skinsthat hold it all in.Those nights we pukedup desire, stumbled ashamedcrumbled, humbledby love’s lost namesthose dirty deedswhen we were
HOLLIE ADAMS Lessons in Division We pack cardboard boxes in silence. We are in mourning. My head is down; my black hair curtains my face. This is how to mourn a broken relationship, an expired lease: find own boxes, do not speak, write ‘yours’ and ‘mine’ a hundred times. This is how our one bedroom apartment divides in two. You will move back to your old neighbourhood; I will move closer to my parents. We
Given French performance artist ORLAN’s dedication to altering her physical appearance in the name of challenging the limits of human physicality, it’s ironic that her rather idiosyncratic look — the Bride of Frankenstein-esque hair, the exotic implants on her forehead and the owl-like glasses she often wears — makes her instantly recognizable in a way that few artists since Andy Warhol have been able to manage. In a world fascinated by cosmetic surgery, where the
FRED GAYSEK Figuring 16 — for Jesse Harris and liquid corescoring image surfacerace matter in matterhatter madder than ever beforeit is in saying one aliveone fossilone fool fuel Figuring 16appeared in CAROUSEL 24 (2009) — buy it here
DRAZEN KOZJAN The Happy Undertaker The Happy Undertakerappeared in CAROUSEL 24 (2009) — buy it here
AHIMSA TIMOTEO BODHRÁN Vergüenza He didn’t realize the shame of being Native was the same as the shame in being queer. The shame of wanting to touch something, someone, his hands reaching towards trees butlooking around before touching, or touching so brief it might be brusk, might bruise the branches, tear a leaf, rip acorn from what was once tender grasp. Soon he wondered the ways in which, during the years he has closeted, was
Please join us to celebrate the release of CAROUSEL 43 … get your FREE ticket for the reading through Eventbrite now (your ticket will have all of the information you need to access the event on Zoom) … https://www.eventbrite.com/e/carousel-43-virtual-launch-tickets-119460392249 FEATURED READERS for the evening include: Gary Barwin | David James Brock | Leesa Dean | Jonathan Duckworth | Karl E. Jirgens | Carol Krause | miriam putters | Lauren Turner … and Rocco De Giacomo
ERIK JEREZANO, MICHAEL DEFORGE, JASON MCLEAN, LUKE RAMSEY, MARK LALIBERTE, DEREK BEAULIEU and JESSE HARRIS Portfolio: C/A/R/O/U/S/E/L ‘CAROUSEL’ is an 8-letter word, and, conveniently, that’s a signature in print. Conceived around this simple paper building block, we decided to organize a little art/text experiment for inclusion in this issue. We invited a group of artists to conceive of and interpret a specific letter in print. We assigned a full page and a single letter to
LEIGH NASH Day Trip This day beetles forward careening red eyelid on a two-lane Yucatan road110 km/h glass eyeballs unblinkchew up scenery, plowpast the tinted windows of white tourist vans The most earth with no earth, almond trees burstfrom lime rock, low bushesbear pink avocados; dogs spill sidewaysin the sun, feral ribs thin inlets Corrugated towns chatter Rusty graveyards swallowpastel crosses row, rowcrumbling plaster tombs thousand year-old stoneovergrown with lilies, bougainvillea Waist-high girls and boys
ROBERT MALINOWSKI Something I Read Something I Readappeared in CAROUSEL 23 (2008) — buy it here