From the Archive: Closing the Book on Storyland (CAROUSEL 39)

From the Archive: Closing the Book on Storyland (CAROUSEL 39)

Let me tell you a story … This is the small story of Storyland, told from beginning to end, and a little beyond. Storyland: a quirky, children’s theme park which opened in 1966 near the town of Renfrew (slightly northwest of Ottawa, ON), founded by Durk and Bonnie Heyda, two immigrants from the Netherlands, on an 175 acre property near the Champlain Lookout in Brown’s Bay — where legendary French explorer Samuel de Champlain made

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From the Archive: Amy Ireland ‘The Stranger’ Interview (CAROUSEL 39)

From the Archive: Amy Ireland ‘The Stranger’ Interview (CAROUSEL 39)

Amy Ireland is an experimental poet and theorist, co-conspiring with arcane and esoteric vectors of poetic and theoretical thought. As a PhD Candidate in Creative Writing at the School of the Arts and Media at the University of New South Wales, Ireland’s work develops concepts embedded within the prefix xeno-, denoting that which is unfamiliar, strange and alien. Following this trajectory, Ireland is writing her thesis on xenopoetics, which engages various poetry projects that involve

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From the Archive: Cole Closser ‘A Drip in the  Mouth of a Horse’ Interview (CAROUSEL 39)

From the Archive: Cole Closser ‘A Drip in the Mouth of a Horse’ Interview (CAROUSEL 39)

American cartoonist Cole Closser has been called a master of “butchered quotes and borrowed styles” — a man whose ink-stained dreams tend to have a yellowed, nostalgic residue covering them, and whose drawing style is constantly in a state of technical re-examination and flux. Like the abstract expressionist painter Jackson Pollock — who is said to have noticed a drip in the mouth of a horse in Picasso’s mural-sized oil painting Guernica, and from that

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From the Archive: Jessica Bromley Bartram (CAROUSEL 39)

From the Archive: Jessica Bromley Bartram (CAROUSEL 39)

JESSICA BROMLEY BARTRAM Skyscrapers When the city sleeps, it emerges, unfurling cloudlike from a ravine and stepping carefully over grumbling streets. Bleary-eyed drivers blink it away, their brains filled with thoughts of home or the next city, naming it Bridge Shadow or Passing Tree. Its missteps leave cars covered in stormy grey streaks that refuse to fade, drivers whose peripheral vision is now filled with flickering shadows, almost-forms almost visible if only they could turn

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From the Archive: Fan Wu (CAROUSEL 39)

From the Archive: Fan Wu (CAROUSEL 39)

FAN WU from Songs Heard on The River Styx Charon Before Breakfast Charon moves along his sloop, fern-heavy with morning sleep.He rubs his eyes then his wrists together.Standing sexless, two words — pistil, stamen — flash across his mind, illustrated like in the Grade 9 Biology textbook he once read for proof of nature’s perfect design, lovewise.An anchor tethers him to the limitless sea.Anther and pollen.Something Lacan once said occurs to him:“Love is giving something

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From the Archive: Dash Shaw Interview (CAROUSEL 39)

From the Archive: Dash Shaw Interview (CAROUSEL 39)

“I wanted to be destroyed … and reborn.” Dash Shaw credits these words to a tattered old comic book, near the end of Cosplayers, a recent collection of his own comics about fan culture, cartooning history, creativity, and female friendship. Shaw’s teen girl protagonists have lucked into a stash of funnybooks by the legendary Jack ‘King’ Kirby (1917–1994), co-creator of the Fantastic Four, Captain America, and, in this instance, the 2001 comic book adaptation. Heedless

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