CHELSEA COUPAL Rural Hangover I picture myself sometimes, slimas I was then, walking in, stripping down, lying down in that dirt-morninglight, hungover, and nausea tucked under my mind like an old note.I didn’t mind those mornings: click of dried contacts, tumbleweedstomach, and the sun pouring through bedroom windowsslowly. Before the farmhouse, you lived in a trailerwith walls so thin I swear you could see through them.Hardly a yard, just pasture, and cattle peering in, curious
Michael e. CasteelsThe Man with the Spider Scar (Puddles of Sky Press, 2021)ISBN 978-1592913343 | 68 pp, 4.25 x 5.5 in | $20 CAD — BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY A long-form collage poem that takes the reader on a first-person gunslinging journey, The Man with the Spider Scar offers a tale about a horse thief, split into fifty minimalist poem fragments. It’s a text that’s easy to traverse in a single sitting, galloping on horseback “across
Travis SharpYes, I am a corpse flower (knife|fork|book, 2021)ISBN 978-1-989355-27-5 | 108 pp | $20 CAD — BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY The poetry debut of writer, editor and book artist Travis Sharp and the second full-length collection put out by Toronto independent publisher knife | fork | book, Yes, I am a corpse flower (2021), articulates the ache and bliss that accompany occupying a (queer) body at odds with the (heteronormative, late-capitalist) world. As the book’s
Pictures apparently being worth a thousand words, Manahil Bandukwala uses three paintings to do justice to Selina Boan’s debut poetry collection Undoing Hours (Nightwood Editions, 2021) in this visually arresting experimental review. ISBN 978-0-88971-396-3 | 96 pp | $18.95 CAD — BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY Selina Boan’s poetry is the kind to draw you in and live within the words, and her debut poetry collection Undoing Hours is no different. The collection weaves together language and