USEREVIEW 139: Radio Waves

USEREVIEW 139: Radio Waves

Jade Wallace surfs the waves of sound and sea that crash upon the shores of Renée Agatep‘s latest chapbook Ohio Radio (Wolfson Press, 2023). ISBN: 978-1-95006-615-5 | 64 pp | $15USD | BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY One experiences duality listening to the radio these days. There’s something quaint about it now — maybe not old-fashioned but running a little behind the times. Its continued existence is a gesture of polite rebellion against the impersonality of streaming

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USEREVIEW 138: Grasping for Magic

USEREVIEW 138: Grasping for Magic

Jade Wallace maps the Southern Ontario Gothic geographies of Anne Baldo’s debut short fiction collection Morse Code for Romantics (The Porcupine’s Quill, 2023). ISBN: 978-0-88984-456-8 | 208 pp | $19.95 CAD — BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY Lately I have sensed a revival of interest in Southern Ontario Gothic. In the past couple of years, multiple fiction debuts such as Erica McKeen’s Tear and Brooke Lockyer’s Burr have deftly employed the genre to tell contemporary stories, and

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USEREVIEW 137: Beyond Good and Evil, There are Plants

USEREVIEW 137: Beyond Good and Evil, There are Plants

Jade Wallace traces a genealogy of philosophy and flora, in John Nyman‘s latest full-length poetry collection A Devil Every Day (Palimpsest Press, 2023). ISBN 978-1-990293-46-7  | 88 pp | $19.95 CAD — BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY John Nyman’s sophomore poetry collection A Devil Every Day is a book preoccupied with contemporary incarnations of evil. Several of the poems in the book read like character studies of the Devil, as for instance ‘The Genuine Devil,’ where “The

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USEREVIEW 136: A Book Carrying an Impossible Weight

USEREVIEW 136: A Book Carrying an Impossible Weight

Jade Wallace unpacks the overflowing contents of Hollay Ghadery‘s debut poetry collection Rebellion Box (Radiant Press, 2023). ISBN: 978-1-98927-491-0 | 80 pp | $20 CAD | BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY When reading a book of poetry, I always like to start with the title. Which sounds silly, because all of us probably see the title of a book before we peruse its contents, but what I mean is that I like to sit with the title,

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