September 2022 – CAROUSEL Magazine: Blog

USEREVIEW 096 (Capsule): Renaissance Normcore

Adèle BarclayRenaissance Normcore (Nightwood Editions, 2019)ISBN 978-0-88971-360-4 | 96 pp | $18.95 CAD | BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY Early in the pandemic, when numbness and lethargy felt like a communal experience, I reread Adèle Barclay’s sophomore poetry collection Renaissance Normcore. I needed something familiar to nudge me back into feeling and Barclay’s work welcomed the plunge. Rereading Renaissance Normcore felt like an impromptu pencil dive into cold, dark water. The initial shock was palpable but the

USEREVIEW 095 (Capsule): Entering Sappho

Sarah DowlingEntering Sappho (Coach House Books, 2020)ISBN 978-1-55245-418-3 | 96 pp | $21.95 CAD | BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY The dedication of Entering Sappho begins with “To a future time.” This is reminiscent of the fragments of Sappho, as translated by Sherod Santos: “Someone, I tell you, will remember us, / even in another time.” Dowling’s book is a historical document and the poems occupy space on the page, allude to history and seek to deviate

USEREVIEW 094 (Capsule): Feel Ways

Adrian De Leon, Téa Mutonji & Natasha Ramoutar, EditorsFeel Ways: A Scarborough Anthology (Mawenzi House, 2021)ISBN 978-1-77415-011-5 | 96 pp | $22.95 CAD | BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY Feel Ways: A Scarborough Anthology (2021) is an anthology of non-fiction, poetry and prose edited by Adrian De Leon, Téa Mutonji and Natasha Ramoutar. In this collection published by Mawenzi House Publishers, writers locate themselves and their stories within the suburb of Scarborough, ON. This collection pays homage

USEREVIEW 093: Critical Pictures

John Nyman"> John Nyman
09, 2022
Book Review, Experimental Review
0

How can a critic respond to Zane Koss‘ debut collection, Harbour Grids (Invisible Publishing, 2022), which, despite being “a long poem in four parts” is textually, and even visually, sparse, defined as much by absence as by presence? In this experimental review, John Nyman mirrors Koss’ terse and spatial form, in an attempt to approach the text on its own terms — to chart a route for readers through the breakwater and steer us clearly