From the Archive: “But the mouse can make a nest in you”: Richard Kraft + Danielle Dutton Interviewed (CAROUSEL 37)

From the Archive: “But the mouse can make a nest in you”: Richard Kraft + Danielle Dutton Interviewed (CAROUSEL 37)

Los Angeles artist Richard Kraft’s Here Comes Kitty: A Comic Opera is a wildly irreverent collage narrative that challenges at every turn. To create his dreamlike paper opera, Kraft worked directly over an issue of Kapitan Kloss — a Cold War comic about a Polish spy infiltrating the Nazis — superimposing a cast of strange new voices and characters on top of it. “A riot of images and words”, the resulting project is arbitrary, inventive and

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From the Archive: Justin Stephenson ‘The Complete Works’ Interview (CAROUSEL 37)

From the Archive: Justin Stephenson ‘The Complete Works’ Interview (CAROUSEL 37)

Filmmaker Justin Stephenson took fifteen years to carefully create The Complete Works — a labour of love that creatively adapts the work of internationally acclaimed avant-garde poet bpNichol. From comic book detective stories & westerns to documentaries & magic realism, and from hand-drawn animation to computer-generated images, The Complete Works wrestles Nichol’s writing off the page and projects it onto the screen. It uses bpNichol’s poetic methods on Nichol himself to create a film that

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From the Archive: Little That Can Be Done with the Pen Cannot Be Repeated with the Typewriter (CAROUSEL 36)

From the Archive: Little That Can Be Done with the Pen Cannot Be Repeated with the Typewriter (CAROUSEL 36)

“The paper has to be turned and re-turned, and twisted in a thousand different directions, and each character and letter must strike precisely in the right spot. Often, just as some particular sketch is on the point of completion, a trifling miscalculation, or the accidental depression of the wrong key, will totally ruin it, and the whole thing has to be done over again.” — Pitman’s Phonetic Journal, October 1898 The typewriter has long signified

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From the Archive: Klaus Pichler ‘All Dressed Up with Nowhere to Go’ (CAROUSEL 35)

From the Archive: Klaus Pichler ‘All Dressed Up with Nowhere to Go’ (CAROUSEL 35)

Viennese photographer Klaus Pichler’s intimate photo series, Just the Two of Us, aims to reveal the people beneath a variety of costumes without unmasking them. For adults, the act of dressing up in costume is most often associated with some form of social activity. It’s a spectacle, a transformative activity that grants us permission to temporarily play out a fantasy role in the everyday world. Costumes and disguises permit people to act in ways that

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From the Archive: Daniel Arsham ‘Relics for the Future’ (CAROUSEL 34)

From the Archive: Daniel Arsham ‘Relics for the Future’ (CAROUSEL 34)

From generating performances with choreographer and media artist Jonah Bokaer, to designing sets for Merce Cunningham, to having your work curated by pop-star Pharrell Williams, collaborations are a major element of Daniel Arsham’s practice — one of the many facets of a career that has swiftly rose to international attention. He’s also part of Snarkitecture, a collaborative effort with Alex Mustonen, which blends art and architecture to create installations that attempt to “make architecture perform

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From the Archive: Kioskerman Interview (CAROUSEL 34)

From the Archive: Kioskerman Interview (CAROUSEL 34)

Cartoon minimalist Pablo Holmberg — better known in Argentina under his pen name Kioskerman — makes four-panel comics that elude easy description. His darkly romantic strip series Edén appears in Spanish every week on his website, offering readers an ideal mix of weight & whimsy. Interview conducted October, 2014 You’ve been publishing strips on the Internet since 2004; why did you decide to start a web-comic?I was reading Tony Millionaire’s Maakies and Kaz’s Underworld online

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From the Archive: Chip Kidd ‘Gasp! You Did It!’ Interview (CAROUSEL 33)

From the Archive: Chip Kidd ‘Gasp! You Did It!’ Interview (CAROUSEL 33)

Chip Kidd is a man of many talents, with an insider’s perspective on pop culture. Universally recognized as an American master of contemporary book design — USA Today once described him as “the closest thing to a rock star” in the graphic design world — his iconic covers offer an inventive marriage of type and found images. In addition, Kidd’s work as an editor of books of comics for the mass market have helped to

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From the Archive: Aaron S. Moran ‘The Rebuilder’ Interview (CAROUSEL 32)

From the Archive: Aaron S. Moran ‘The Rebuilder’ Interview (CAROUSEL 32)

Through his multi-dimensional assemblages, artist Aaron S. Moran attempts to represent the rapidly changing context of Langley, British Columbia — his once rural hometown, now a growing community 50km east of Vancouver. For Moran, this setting is foundational to his practice and is the primary source for gathering inspiration, ideas and materials for his chosen medium. He amalgamates and re-appropriates bits and pieces of intermediary sites that have been left abandoned by developers. Through collagist

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