USEREVIEW 047: Dreams to Have

USEREVIEW 047: Dreams to Have

In this traditional review, Ursula Pflug identifies Jessi MacEachern’s debut poetry collection, A Number of Stunning Attacks (Invisible Publishing, 2021), as a force that carries forward a legacy of feminist poetry. ISBN 978-1-98878-465-6 | 120 pp | $18.95 CAD #CAROUSELreviews#USEREVIEWEDNESDAY A few pages into the first section, ‘The Moat Around Her Home,’ Jessi MacEachern writes that she keeps a notebook labelled dreams to have. This is the sort of thing I would have written if

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USEREVIEW 040 (Capsule): Gold Rush

USEREVIEW 040 (Capsule): Gold Rush

Claire CaldwellGold Rush (Invisible Publishing, 2020)ISBN 978-1-988784-46-5 | 80 pp | $17.95 CAD #CAROUSELreviews#USEREVIEWEDNESDAY Writing about pioneers and summer camp risks a confrontation with banal, or even dangerous, sentimentalism. However, in her sophomore poetry collection, Gold Rush, Claire Caldwell is circumspect, scrutinizing and assessing her subjects with the critical eye they deserve — and she never mistakes pyrite for gold. See, for instance, her poem ‘After the Gold Rush,’ in which the speaker declares, “We

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USEREVIEW 031: Counting the Hours

USEREVIEW 031: Counting the Hours

Hollay Ghadery converts Gillian Wigmore’s trifecta of novellas Night Watch: The Vet Suite (Invisible Publishing, 2021) into (32) tercets, each comprising a prime number of syllables, in this mathematically perfect, verse-form experimental review. ISBN 978-1-988784588   | 152 pp | $19.95 CAD #CAROUSELreviews#USEREVIEWEDNESDAY Heifer I don’t want to doit again — I want to doit in reverse: do what I couldn’t dothe first time. See with the slowgaze of cattle, their genuflect feyness,it’s in all

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USEREVIEW 015 (Capsule): Swimmers in Winter

USEREVIEW 015 (Capsule): Swimmers in Winter

Faye GuentherSwimmers in Winter (Invisible Publishing, 2020)ISBN 978-1-988784502 | 208 pp | $19.95 CAD #CAROUSELreviews#USEREVIEWEDNESDAY Faye Guenther’s Swimmers in Winter (Invisible Publishing, 2020) has a title that accurately bespeaks its tone — there is a chill to these three sets of paired-off stories that is, by turns, invigorating and lulling. But there is also a clarity in the prose, like cold water free of rose-eyed summer. Though this is Guenther’s debut collection of short fiction,

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USEREVIEW 003: Creation, Derivation, Exchange

USEREVIEW 003: Creation, Derivation, Exchange

Though he has crafted what feels like a slick trailer, Mark Laliberte‘s animated experimental review of Dani Spinosa‘s OO: Typewriter Poems (Invisible Publishing, 2020) ultimately performs not only its prescribed analytic function, but also a meta-discursive one, bringing to the fore questions about what it even means to review a book. Laliberte’s review is thus a fitting response to Spinosa’s text, which challenges its readers to reconsider the limits of its own chosen genre of

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