In this special edition of USEREVIEW, section editor Jade Wallace reviews three seemingly very different books: a novel, a graphic novel and a collection of poetry. What unites all three is an impossible longing to return: to a time, to a place, to a self that is forever lost. #CAROUSELreviews#USEREVIEWEDNESDAY Brooke LockyerBurr (Nightwood Editions, 2023)ISBN: 978-0-88971-442-7 | 288 pp | $22.95 CAD | BUY Here It is easy to draw comparisons between Brooke Lockyer’s Burr
Aaron TuckerSoldiers, Hunters, Not Cowboys (Coach House Books, 2023)ISBN: 978-1-55245-462-6 | 160 pp | $23.95 CAD / $18.95 USD | BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY Published this spring by Coach House Books, Aaron Tucker’s Soldiers, Hunters, Not Cowboys is a novel divided in two. The book’s first half, formatted as a dialogue between an unnamed male protagonist and his ex-girlfriend Melanie, presents an extended synopsis and commentary on the 1956 John Wayne western The Searchers — both
Catriona WrightContinuity Errors (Coach House Books, 2023)ISBN: 978-1-55245-459-6 | 80 pp | $23.95 CAD | BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY Capitalism, climate change, feminism and the gender binary — Catriona Wright’s Continuity Errors responds to these topics with dry humour and a vivid parade of aliens, robots, fae, and more though is still incredibly serious in its message. In this, her second poetry collection, Wright plays with the absurdity of the world we live in, having written
Meghan Kemp-GeeThe Animal in the Room (Coach House Books, 2023)ISBN: 978-1-55245-460-2 | 80 pp | $23.95 CAD | BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY Meghan Kemp-Gee‘s debut poetry collection is billed as “a little bestiary” centred around deer, wolves and the spectral voices of extinct lizards and soon-to-be extinct whales. It’s a description that underplays the sheer structural acrobatics she uses to create — and then resolve — a tense, biting and agile conversation about euphemism, superimposed experience
Hollay Ghadery has a fine ear for the complex orchestration of dualities in Sing, Nightingale, the latest novel by Marie Hélène Poitras, translated from the French by Rhonda Mullins (Coach House Books, 2023). ISBN 978-1-55245-448-0 | 176 pp | $22.95 CAD — BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY Arguably, all books aim to transport readers to another world, but not all books can do this as self-reflexively and immersively as Sing, Nightingale by Marie Hélène Poitras (translated from
Sarah DowlingEntering Sappho (Coach House Books, 2020)ISBN 978-1-55245-418-3 | 96 pp | $21.95 CAD | BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY The dedication of Entering Sappho begins with “To a future time.” This is reminiscent of the fragments of Sappho, as translated by Sherod Santos: “Someone, I tell you, will remember us, / even in another time.” Dowling’s book is a historical document and the poems occupy space on the page, allude to history and seek to deviate
Jean Marc Ah-Sen, Emily Anglin, Devon Code and Lee HendersonDisintegration in Four Parts (Coach House Books, 2021)ISBN 978-1-55245-424-4 | 206 pp | $21.95 CAD — BUY here #CAROUSELreviews#USEREVIEWEDNESDAY Starting with the sentence, “all purity is created through resemblance and disavowal,” Disintegration in Four Parts by Jean Marc Ah-Sen, Emily Anglin, Devon Code and Lee Henderson explores the notion of purity in four novellas that are distinct in terms of narrative style, but harmonious in their
With a conversational and knowing tone, Joelle Kidd uses the medium of the traditional review to reveal the layers of complexity on display in Molly Cross-Blanchard’s rollicking debut poetry collection, Exhibitionist (Coach House Books, 2021). ISBN 978-1-55245-422-0 | 112 pp | $21.95 CAD — BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY “They will call this vulnerable,” the speaker of Exhibitionist declares, “because it’s a book written by a woman / and it checks the woman’s book vibes: / Heartbreak?
John Nyman parses, calculates and looks for linguistic solutions in this traditional review of Ian Williams’ poetry collection Word Problems (Coach House Books, 2020). ISBN: 978-1-552454145 | 96 pp | $21.95 CAD #CAROUSELreviews#USEREVIEWEDNESDAY Showcasing a wide range of formal experimentation, an obsession with the technical aspects of language and short, often sentimental lyrics voiced by everyperson speakers, Ian Williams’ poetry is driven by postmodern stylistic devices canonically linked to distancing an author’s identity from the
Karl Jirgens proceeds by paradox — with an outward-looking and self-reflexive gaze, with enthusiastically energetic aplomb — in this not-quite traditional review that echoes the stylistic elements of its subject: Ken Babstock’s poetry collection, Swivelmount (Coach House Books, 2020). ISBN 978-1-55245-4138 | 128 pp | $21.95 CAD #CAROUSELreviews#USEREVIEWEDNESDAY In preparing this review for CAROUSEL, I thought it’d be interesting if book reviews reacted rather than described or interpreted. After all, writing ought to open dialogues.