USEREVIEW 116 (Capsule): WJD

USEREVIEW 116 (Capsule): WJD

Khashayar MohammadiWJD (Gordon Hill Press, 2022)ISBN 978-1-77422-070-2 | 68 of 138 pp* | $20 CAD | BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY Khashayar Mohammadi’s second full-length collection of poetry, WJD, is an absorbing phenomenological exploration of language, culture, country and spirit. While rangy, roaming different literal and figurative landscapes from Iran to “pre-cosmic” nothingness, the poems are singular in their bubbling richness; an intensity that punches as it delights, plucks at the darkness but also, proffers a hard-won

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CAROUSEL 45 out now!

CAROUSEL 45 out now!

The summer 2021 issue of CAROUSEL is available to read for free at our website now! Summer 2021; released exclusively online Cover artwork by Amy Friend Design by Origin Obscure Art Portolio — Amy Friend Fiction — Shaelin Bishop— Dawn Lo— Thaddeus Rutkowski— Isabelle Teo Poetry — Courtney Bates-Hardy— Gregory Betts— Kate Cayley— Natasha Kessler + Adam Day— Annick MacAskill— Jessi MacEachern— Mickey Mahan— Carol Harvey Steski— Bronwen Tate— Carl Watts— Yvonne CHAIN Response Poetry

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USEREVIEW 029: Me, You, Then Me Again

USEREVIEW 029: Me, You, Then Me Again

Boldly eschewing the literary convention of never reviewing one’s own work, Khashayar Mohammadi reflects on his newly-released, debut poetry collection, Me, You, Then Snow (Gordon Hill Press, 2021), and its place in Canadian literature, in this autoethnographic experimental review. ISBN 978-1-774220146|  96 pp | $20.00 CAD #CAROUSELreviews#USEREVIEWEDNESDAY In the depths of pandemic insomnia, there isn’t much I can read anymore; so I keep reading and rereading my debut, anticipating the pictures, reviews, award season; practising

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CAROUSEL 44 — our first online issue — out now!

CAROUSEL 44 — our first online issue — out now!

The winter 2020 issue of CAROUSEL is available to read for free at our website now! Fall 2020; released exclusively online Cover artwork by Chet Bell Design by Origin Obscure Art Portolio — Chet Bell Fiction — Anne Baldo— Timothy DeLizza— Síle Englert— Jennifer McAuley Poetry — Renee Agatep— Anne Barngrover— Despy Boutris— Amee Nassrene Broumand— Conyer Clayton— James Collier— Mikayla Fawcett— Layla Flowers— Sean Madden— Caroline Misner— Kevin Stebner— Sneha Subramanian Kanta— John Sibley

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USEREVIEW 002: Impossible Language for the Unnavigable Self

USEREVIEW 002: Impossible Language for the Unnavigable Self

Khashayar Mohammadi gives us a review in the form of a poem — adding a new harmony to the polyvocal chorus of Canisia Lubrin‘s exploratory, book-length poem The Dyzgraphxst (McClelland & Stewart, 2020). In doing so, Mohammadi focalizes crucial concepts in the text and reveals the expanse of its spheres of inquiry. ISBN 978-0-771048-69-2 | 176pp | $21.00 #CAROUSELreviews I the Dyzgraphxst is oceanicthe Dyzgraphxst is directionally blended into the Ithe Dyzgraphxst is the cursor

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A Queer Lit Reading List

A Queer Lit Reading List

A compilation of poetry collections recommended by LGBTQA+GTA interviewees Audre Lorde, The Collected Poems Billy-Ray Belcourt, This Wound is a World Brian Dedora, A Few Sharp Sticks Chrystos, Fire Power Dionne Brand, No Language is Neutral Edna St. Vincent Millay, Collected Sonnets of Edna St. Vincent Millay Essex Hemphill, Ceremonies Gwen Benaway, Holy Wild Hafiz, The Divan of Hafiz June Jordan, Directed By Desire: The Collected Poems of June Jordan Kevin Simmonds, Mad for Meat

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Reading Queer in the GTA (2)

Reading Queer in the GTA (2)

KHASHAYAR MOHAMMADI Pillow’s Kiss (excerpted from Moe’s Skin) Pillow’s kiss past midnight’s stroke and doze down the fugueof highway tunes. Up, up and away — past mall-lit windows wemigrate between, bootleg DVDs and cider house blues wherehatred blossoms in plastic-bagged opacity, past the hooka-smokinggirls lustfully eyeing lustful men in blue.Feel like a god, but slip on Moe’s Skin.A new motto for massage chair afternoons:“Don’t frown! You’ll slip.”A single leaf behind an iPod case;a Djinn in

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LGBTQA+GTA

LGBTQA+GTA

In 2019, CAROUSEL interviewed five writers whose origins spanned the globe, whose ages straddled generations, whose writing practices crossed genres and genders, but who were all akin insofar as they were then at work making queer poetry in the GTA. The essay based on those interviews appeared in full in CAROUSEL 42, our winter 2019/20 print issue. What follows is an abridged and lightly edited version of that essay. How do you know whether the

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