Emily Woodworth’s exquisitely lyrical review of Rahela Nayebzadah’s debut novel, Monster Child (Wolsak & Wynn, 2021), is as urgent and visceral as if it were written in red ink. ISBN 978-1-989496-30-5 | 200 pp | $20 CAD — BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY Blood flows through Monster Child by Rahela Nayebzadah until it animates, breathes, becomes a body in your hands. Then three bodies. Then six. A disease festers in the pages. Bloodguilt spatters the lives of
Don’t Delay — submit today! SPECIAL ISSUE EDITORIAL STATEMENT Pick a card, any card . . . Tarot is a vehicle of storytelling. Tarot is divination, self-reflection, ritual. Tarot cards take on new meanings in new contexts, as they travel through the deck to find your touch. The symbols of the cards are laid out before The Magician. Metal bends under his finger tips. Before he can create, he considers the tarot in its most
Aaron SchneiderWhat We Think We Know (Gordon Hill Press, 2021)ISBN 978-1-77422-029-0 | 224 pp | $22 CAD — BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY What We Think We Know is ostensibly Schneider’s debut collection of short fiction, though it tests the limits of that designation in various ways. On the one hand, there’s the fact that two of the stories in the collection are virtually novella-length; and on the more experimental hand there’s the fact that many of
C.J. LavigneIn Veritas (NeWest Press, 2020)ISBN 978-1-98873-283-1 | 344 pp | $21.95 CAD — BUY Here #CAROUSELreviews#USEREVIEWEDNESDAY Like many works of speculative fiction, C.J. Lavigne‘s debut novel In Veritas is interested in examining the lives and significance of characters who are outsiders. The narrative primarily follows the protagonist Verity, a lifelong synaesthete who has previously been hospitalized for so-called hallucinations, but which are in fact glimpses into another world that exists within our own world,