About Robin Richardson

ROBIN RICHARDSON is the author of two collections of poetry, and is Editor-in-Chief at Minola Review. Her work is forthcoming in POETRY, and has appeared in Tin House, Arc, The North American Review, and Hazlitt, among others. She holds an MFA in Writing from Sarah Lawrence College. Richardson’s latest collection, Sit How You Want, is forthcoming with Véhicule Press. Poems from the collection have been adapted to song by composer Andrew Staniland for The Brooklyn Art Song Society, and premiered in 2016 in New York.

C36 Contributor RICHARD KELLY KEMICK’s Debut Poetry Collection

C36 Contributor RICHARD KELLY KEMICK’s Debut Poetry Collection

Have you read Kemick’s Caribou Run? CAROUSEL 36 contributor Richard Kelly Kemick recently released his debut poetry collection, Caribou Run, with Goose Lane Editions. Kemick’s poetry, prose, and criticism have been published in literary magazines and journals across Canada and the United States, most recently in The Walrus, Maisonneuve, The Fiddlehead and Tin House. His work has won national awards, including a National Magazine gold medal, and has been accepted into Canadian and British anthologies. “At one moment,

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C36 Contributor VINCENT COLISTRO’s Debut Poetry Collection

C36 Contributor VINCENT COLISTRO’s Debut Poetry Collection

Have you read Vincent Colistro’s Late Victorians? CAROUSEL 36 contributor Vincent Colistro recently launched his debut poetry collection, Late Victorians, with Signal Editions (the poetry imprint at Véhicule Press). Based in Toronto, Colistro’s poems have appeared in The Walrus, Hazlitt, Geist and Arc; he was a prize-winner in the 2012 Short Grain contest, and was nominated for National Magazine Award for Poetry in 2014. “The Late Victorians re-sets the machinery. The voice here is way

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HAZEL MEYER in CAROUSEL 35

HAZEL MEYER in CAROUSEL 35

Do you know the work of Hazel Meyer? Hazel Meyer is a Toronto-based artist whose practice is profiled in CAROUSEL 35. She maintains a prolific, playful and totally engaging presence in the art world. As the inaugural artist-in-residence at Toronto’s Scrap Metal Gallery, solo exhibitor at MacLaren Art Centre, and public art commission for Cambridge Gallery’s Idea Exchange, Meyer has produced large scale, often interactive, installations that tackle marginalized gender issues, and athletics, in fringy,

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