Amanda Earl transforms prose poetry into visual poetry in this experimental review of Bahar Orang’s debut collection Where Things Touch: A Meditation on Beauty (Book*Hug Press, 2020). By cutting open the text and twisting it to a new shape, Earl brings forth a rush of stunning blood that calls attention to the crucial elements of Orang’s essays on aesthetics. ISBN 978-1-77166-569-8 | 114 pp | $20 CAD #CAROUSELreviews I chose an excerpt from a passage
Though he has crafted what feels like a slick trailer, Mark Laliberte‘s animated experimental review of Dani Spinosa‘s OO: Typewriter Poems (Invisible Publishing, 2020) ultimately performs not only its prescribed analytic function, but also a meta-discursive one, bringing to the fore questions about what it even means to review a book. Laliberte’s review is thus a fitting response to Spinosa’s text, which challenges its readers to reconsider the limits of its own chosen genre of
GUSTAVE MORIN What Can a Dog Do? What Can a Dog Do?appeared in CAROUSEL 17 (2005) — buy it here
Typewriter art/poetry seems to be having a bright moment — a surge of interest evidenced by several recent mass-market books that survey the medium from different angles. In his article, ‘Little Can Be Done With The Pen Cannot Be Repeated with the Typewriter … ’ CAROUSEL 36 contributor conormcdonnell takes a look at two of the best while exploring 125 years worth of visual-poetic history. “The paper has to be turned and re-turned, and twisted in