USEREVIEW 002: Impossible Language for the Unnavigable Self

Khashayar Mohammadi/ September 5, 2020/ Book Review, Experimental Review

Khashayar Mohammadi gives us a review in the form of a poem — adding a new harmony to the polyvocal chorus of Canisia Lubrin‘s exploratory, book-length poem The Dyzgraphxst (McClelland & Stewart, 2020). In doing so, Mohammadi focalizes crucial concepts in the text and reveals the expanse of its spheres of inquiry.

ISBN 978-0-771048-69-2 | 176pp | $21.00

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I

the Dyzgraphxst is oceanic
the Dyzgraphxst is directionally blended into the I
the Dyzgraphxst is the cursor italicized
|I         .           |I         .           |I
the Dyzgraphxst is flashing in binary

II

the unnavigable self doesn’t see I:I
the jejune, the elusive Quixote
windmilled into dotted i

III

a single utterance of jejune
is a stone skipped on the self
with each touch
the self surfaces into ripples
(~~~~(~~~i~~~)~~~)

IV

jejune
pillared on either side
je june je
I june I

V

jejune is sorry but never at fault
since the motor has been
“towing jejune this whole while”

VI

the jejune flirts around the rim of the self.
It’s a (w)rung self climbing down the
third-baptismal ladder

VII

the self is continuous
            “Arrival”
is the augmented I

VIII

Dreamwaves froth
at the teeth

IX

Jejune is sculpted by language
“take this volta, it is to be kept pristine”
Jejune is itself language

X

Jejune is the gateway drug
Nil ex nihilo
God-contingent gods

XI

“refuge is a guilt”
and the boredom of arrival
is the survival dream
of the left behind

XII

wordwordwordwordwordwordword
“what you call civilization
still whole without language”
what hole does the language fill
which void births the I

XIII

placid water
grief moves
landwards

XIV

time cyst
wordword furlough
nondescript
wordword abridged
word swords
honing
tongue
at the
incisor

XV

“if given us/ give us”
offered in tongue
offered in blood

XVI

Jejune comes to speak
the crowd says I
jejune turns to leave
the crowd turns sky
jejune comes to doubt
the crowd-turned eye

XVII

beauty is an assassin
              light mistaken
as a component of flesh

XVIII

sublingual jejune
under the em dash
subtextual eye

XIV

the naked symmetry
              of the self
skinned into grief
the tongue bifurcate
now cutting
violent/violin

XX

hulk: of brutality
hank: of self loss
heft or self t(heft)

XXI

what made words left us
graphique graphisme graphyzt
tar-smeared cracks of the jejunic I

XXII

time stops for the Dyzgraphxst
              suns set on atrocities
sun-settler waverunners
foaming towards the cosmic eye


Khashayar Mohammadi is a queer, Iranian born, Toronto-based poet, writer, translator and photographer. He is the author of the poetry chapbooks Moe’s Skin (ZED press 2018), Dear Kestrel (knife|fork|book, 2019) and Solitude is an Acrobatic Act (above/ground press, 2020). His debut poetry collection Me, You, Then Snow is forthcoming with Gordon Hill Press — Follow @DearKestrel on Instagram and Twitter

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